Text and photos by Richard Dvořák (phpto) 

To enlarge the images click on the icon at the right bottom.

These four images explore water as a threshold of perception. The canals of 's-Hertogenbosch do not simply mirror the city; they quietly recompose it, offering brief access to another order of reality—one that exists only when attention slows and the gaze becomes selective. 

 Joma, the dedicated artist 

Again, following the series of works I begun doing with the Christ Energy and Light, I share the 8th artwork I made this year. 

This work is called UNUM FILUM CRINIBUS CHRISTUS (One Thread of the Hair of Christ), with dimensions: 50x40cm, all made with gold-based ink pens and crystals. 

Text and photos by Richard Dvořák (phpto) 

To enlarge the images click on the icon at the right bottom.

This summer, Aischa Gianna Mueller — an Italy-based artist and scholar whose recent work “Choreographies of Unsettlement” explores the discrepancies between Earth’s irregular rotation and the precisely measured atomic time that underpins IT systems, two timescales that slowly drift apart — took us on a journey a few thousand years back into Etruscan times. The Etruscan civilization flourished from about the 9th century BCE until the late 1st century BCE, when Rome absorbed its lands and culture.

The “cities of tufa” — Sovana, Sorano, and Pitigliano — are built directly upon, and in many cases carved out of, volcanic tufa stone. These towns reveal layers of history where sacredness and daily life overlap, from the Etruscan period through medieval Christianity to the present day.

Joma, the artist 

Following the series of projects I started doing with the Christ Energy and Light, I share the sixth and seventh artworks that I have made this year. 

One work is called SAL IN CHRISTUS LACRYMA (Salt in a Christ Tear), dimensions: 8x14cm, frame: 25x29cm, all made with gold-based ink pens and crystals.

Richard at work

I’d like to share four small paintings from a collection my wife and I have gathered over the years — works that hold deep personal meaning for me. These four pieces were created by two artists who have shaped my life in quiet but profound ways: my former art teacher and mentor, and his wife. Both studied under Joseph Beuys and have spent their lives immersed in the practice of painting, living with quiet integrity and intensity.

Though not Theosophists, their presence opened my inner path more than any other teaching. When I was sixteen, I spent several days in their home — days immersed in painting, in the study of artists, and in long conversations about Astrology, the Tarot, and the I Ching. One night, lying in their guest room, I experienced what I now recognize as my first awakening — a moment of unmistakable clarity and inner connectedness. So clear, I knew it wouldn’t last past sleep. And yet, its imprint stayed with me. That quiet, expansive sense of being wholly part of all life has returned only a few times since — but I have never forgotten it, and it continues to shape all of my decisions to this day.

Kathleen Hall – Canada

Jack Wise

Jack Wise was a painter whose work reflected his deep spiritual values. He studied Eastern mysticism and western esotericism and was influenced by Buddhist philosophies. His artworks reflect both his personal journey and spiritual explorations. In particular, the mandala paintings he created served as visual representations of spiritual principles mapping a pathway toward enlightenment and universal truths.  

UNUM PULSATIO CORDIS CHRISTUS, Joma Sipe holding the framed work 

Following the series of panels I started doing with the Christ Energy and Light, I now share the fifth artwork that I have done this year. This work is called UNUM PULSATIO CORDIS CHRISTUS (A Beat of the Heart of Christ). It is not a very large panel, like the previous ones. This one measuring approx. 45.5x35.5cm, visible size, and a golden frame with 60x50cm size, all done with gold-based ink pens and crystals.