Joma's dream, now a reality. The artist, accompanied by Lily and Tim Boyd 

I had my dream come true during the opening of my Art Exhibition at the Adyar Headquarters on the 10th of May. It was a voyage full of blessings, all art works arrived safely and are now on display at the Adyar Library and Research Centre until 29th January 2027. Whoever comes to the International Convention will be able to see these.  

There are 11 covers made for The Theosophist over many years with crystals, 30x40cm size, and 5 original artworks on the themes, Lucifer, Adyar, The School of The Wisdom and the 150th anniversary of The Theosophical Society.  

The major piece is the cloth “Upasika”, made with gold and silver ink pens and crystals, around 0.60x1.50m, which is my own internal homage to H. P. Blavatsky. 

Joma Sipe – Portugal

In general, I do not have any specific training in the arts. The Portuguese art classes I took were basically about visual experiences and drawing, without training in arts with some specific school. I am a civil engineer in my “working hours” during a part of my day, working with Autocad (computer assisted drawing program), drawing and projecting new houses and roads projects. I think my skills as a civil engineer helped me with the geometrical and accurate form of drawing, trying to be as “perfect” as possible with the lines. I am essentially self-educated in the drawing process and art. Since my early years, I was always interested in art, drawing and painting as a hobby.

My interest in art is related to subjects like Symbolism, and the Symbolist Movement of the late XIX century. I am also very interested in the Pré-Raphaelite Movement, English and French Symbolist painters like Burne-Jones, Simeon Solomon, William Blake, Walter Crane, Watts, Gustave Moreau, the Belgian painter Jean Delville, Fernand Khnopff, Arnold Bocklin, among many others. In the XX century, especially the artists Johfra Bosschart and Diana Vandenberg.

Text and photos by Richard Dvořák (photo) 

These four images follow a quiet transition: not the full arrival of spring, but its first unmistakable stirring. Winter has not yet disappeared. The air is still cold, the ground still restrained, and yet the light has changed. It touches branch, leaf, grass, and blossom differently now. What was dormant starts to stir. 

To enlarge the images click on the icon at the right bottom.

Joma, a gentle and warm soul ...

Following the series of works I begun doing with the Christ Energy and Light, I share the ninth artwork in total, the first I have made this year.  

This work is called MOLECULAE E SALIVAE CHRISTUS (Molecules from Christ´s Saliva) with approx. dimensions: 50x35cm, all made with gold-based ink pens and crystals.   

Text and photos by Richard Dvořák (phpto) 

To enlarge the images click on the icon at the right bottom.

These four images explore water as a threshold of perception. The canals of 's-Hertogenbosch do not simply mirror the city; they quietly recompose it, offering brief access to another order of reality—one that exists only when attention slows and the gaze becomes selective. 

 Joma, the dedicated artist 

Again, following the series of works I begun doing with the Christ Energy and Light, I share the 8th artwork I made this year. 

This work is called UNUM FILUM CRINIBUS CHRISTUS (One Thread of the Hair of Christ), with dimensions: 50x40cm, all made with gold-based ink pens and crystals. 

Text and photos by Richard Dvořák (phpto) 

To enlarge the images click on the icon at the right bottom.

This summer, Aischa Gianna Mueller — an Italy-based artist and scholar whose recent work “Choreographies of Unsettlement” explores the discrepancies between Earth’s irregular rotation and the precisely measured atomic time that underpins IT systems, two timescales that slowly drift apart — took us on a journey a few thousand years back into Etruscan times. The Etruscan civilization flourished from about the 9th century BCE until the late 1st century BCE, when Rome absorbed its lands and culture.

The “cities of tufa” — Sovana, Sorano, and Pitigliano — are built directly upon, and in many cases carved out of, volcanic tufa stone. These towns reveal layers of history where sacredness and daily life overlap, from the Etruscan period through medieval Christianity to the present day.